Philosophical genres. A response to Peter Adamson

Would you say that the novel is of a more proper literary genre than poetry? Or would you say that the pop song is less of a musical genre than the sonata? To me these questions make no sense. Both poems and novels form literary genres; both pop songs and sonatas form musical genres. And while you might have a personal preference for one over the other, I can’t see a justification for principally privileging one over the other. The same is of course true of philosophical genres: A commentary on a philosophical text is no less of a philosophical genre than the typical essay or paper.* Wait! What?

Looking at current trends that show up in publication lists, hiring practices, student assignments etc., articles (preferably in peer-reviewed journals) are the leading genre. While books still count as important contributions in various fields, my feeling is that the paper culture is beginning to dominate everything else. But what about commentaries to texts, annotated editions and translations or reviews? Although people in the profession still recognise that these genres involve work and (increasingly rare) expertise, they usually don’t count as important contributions, even in history of philosophy. I think this trend is highly problematic for various reasons. But most of all it really impoverishes the philosophical landscape. Not only will it lead to a monoculture in publishing; also our teaching of philosophy increasingly focuses on paper production. But what does this trend mean? Why don’t we hold other genres at least in equally high esteem?

What seemingly unites commentaries to texts, annotated editions and translations or reviews is that they focus on the presentation of the ideas of others. Thus, my hunch is that we seem to think more highly of people presenting their own ideas than those presenting the ideas of others. In a recent blog post, Peter Adamson notes the following:

“Nowadays we respect the original, innovative thinker more than the careful interpreter. That is rather an anomaly, though. […]

[I]t was understood that commenting is itself a creative activity, which might involve giving improved arguments for a school’s positions, or subtle, previously overlooked readings of the text being commented upon.”

Looking at ancient, medieval and even early modern traditions, the obsession with what counts as originality is an anomaly indeed. I say “obsession” because this trend is quite harmful. Not only does it impoverish our philosophical knowledge and skills, it also destroys a necessary division of labour. Why on earth should every one of us toss out “original claims” by the minute? Why not think hard about what other people wrote for a change? Why not train your philosophical chops by doing a translation? Of course the idea that originality consists in expressing one’s own ideas is fallacious anyway, since thinking is dialogical. If we stop trying to understand and uncover other texts, outside of our paper culture, our thinking will become more and more self-referential and turn into a freely spinning wheel… I’m exaggerating of course, but perhaps only a bit. We don’t even need the medieval commentary traditions to remind ourselves. Just remember that it was, amongst other things, Chomsky’s review of Skinner that changed the field of linguistics. Today, writing reviews, working on editions and translations doesn’t get you a grant, let alone a job. While we desperately need new editions, translations and materials for research and teaching, these works are esteemed more like a pastime or retirement hobby.**

Of course, many if not most of us know that this monoculture is problematic. I just don’t know how we got there that quickly. When I began to study, the work on editions and translations still seemed to flourish, at least in Germany. But it quickly died out, history of philosophy was abandoned or ‘integrated’ in positions in theoretical or practical philosophy, and many people who then worked very hard on the texts that are available in shiny editions are now without a job.

If we go on like this, we’ll soon find that no one will be able to read or work on past texts. We should then teach our students that real philosophy didn’t begin to evolve before 1970 anyway. Until it gets that bad I would plead for reintroducing a sensible division of labour, both in research and teaching. If you plan your assignments next time, don’t just offer your students to write an essay. Why not have them choose between an annotated translation, a careful commentary on a difficult passage or a review? Oh, of course, they may write an essay, too. But it’s just one of many philosophical genres, many more than I listed here.

____

* In view of the teaching practice that follows from the focus on essay writing, I’d adjust the opening analogy as follows: Imagine the music performed by a jazz combo solely consisting of soloists and no rhythm section. And imagine that all music instruction would from now on be geared towards soloing only… (Of course, this analogy would capture the skills rather than the genre.)

** See Eric Schliesser’s intriguing reply to this idea.

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