This is the fifth installment of my series Philosophical Chats. In this episode, I have a conversation with Anna Tropia who is an assistant professor of philosophy at the University of Prague. Following up on some earlier musings, we focus on issues of writing (philosophy) as they figure in my blogging. Here is a rough table of contents:
Introduction and the focus of “Handling Ideas” 0:00
How can and why should we avoid the delete button? 2:17
Dare to say something wrong! A general tip on writing 6:53
“What is the seal of attained liberty? To be no longer ashamedof oneself.” Friedrich Nietzsche
Like many fellow students around me, I learned writing by imitating others. How do I know about the others? Well, because there were no courses on learning how to write. So everyone was left to their own devices. Don’t get me wrong: there were and are many good guides on what desirable academic prose should look like. But these guides do not focus on the process of writing: on the despair, boredom, shame, and love that go into it. Actually, it was the lack of reflections on the process and the more doubtful stages that initially motivated me to start this blog. Speaking about these emotions is not meant as a form of venting or ranting about hardships (although they should have their place, too), but rather on the way these emotions can guide and inform our writing. In what follows, I want to say a bit more about this. I’ll start by looking at the way (emotional) experience figures in academic interaction and writing, and then zoom in on different forms of expressing thoughts.
Let’s begin with shame, though. – If you want to see how shame figures in guiding academic interactions, just start a course by asking what people did not understand in a set text. Most people will remain silent; the more experienced ones will point out passages that fail to be clear enough to be understood, passing the blame onto the text. – If you’re the odd one out who is willing to go for it, you’ll know that it takes courage to begin by admitting that you yourself do not understand. Shame is the fear of being seen or exposed in doing something undesirable (like making a mistake). When we speak or write, shame will drive us to avoid making mistakes. One way of doing that is remaining silent; another way is to pass the blame and criticise others rather than taking the blame. In writing or conversation, we can counter shame by developing technical skills, that is, by learning chops that make it look flawless, elegant, and professional. So we introduce technical jargon, demonstrating our analytical skills and what have you. While technical versatility is often equated with a sober or even neutral style, this asset might owe less to sobriety than to shame.
What’s love got do with it? – Iris Murdoch wrote somewhere that love is, amongst other things, the ability to see someone else as real. (See Fleur Jongepier’s great piece on Murdoch and love.) One way of taking this is that love is an ability, the ability to understand, not yourself and your desires, but the other. How do you do that? My hunch is that understanding others begins with trying to understand their experience. If you are able to express someone’s experience, the other might feel seen. In writing, this can be done in at least two ways. You can try to say what (you think) someone experiences or you can try to create an experience for the reader. Now you might think that this factor is totally absent from academic writing, but that isn’t true. Philosophers typically try to tap into experience by using examples or crafting thought experiments. What is rarely acknowledged is that these items do much more work than meets the eye. Strong examples and thought experiments often live on much longer than the arguments they’re supposed to back up. They are far more than mere illustrations of a point. Ideally, they allow the reader to experience a conceptual constraint on an almost physical level. Knowing a norm, for example, is one thing; being exposed (or imagining yourself) as having transgressed it is quite another.
How does this take on love as understanding the other play out in reading and writing? Returning to the example of asking people what they didn’t understand in a given text, it would be an act of love, in the sense explained, to acknowledge what you do not understand about the text. For if love is seeing the other as real, acknowledging the other’s reality would begin by acknowledging that there is something different, something you do not understand etc. In this sense, acknowledging the other (in the text) begins by admitting a weakness in yourself, the weakness of not understanding wholly. However, ultimately the point is not just to point out limitations but also to explore what constitutes these limits. This means that you also need to see what precisely blocks your understanding of the other (or the text). Seeing how factors in your personality, style, context and history enable or disable your understanding requires you to understand yourself. To use a radical example, if you have never been confronted with an optical illusion, examples of this sort of illustration wouldn’t work for you. Generally, if you never had access to certain kinds of experiences, these will constitute limits of understanding. Likewise, factors such as gender, race and class will inform the way a text speaks (or doesn’t speak) to us and limit the experiential resources available to draw on experience in writing. – It’s important to see that, in this sense, shame and love are in conflict. While love aims at seeing the other and involves the other (and thus ourselves, too) as being seen, shame drives us to disguise ourselves (at least in what we find undesirable) and perhaps even to blame the other for failing to be intelligible to us. In philosophical conversation, then, shame would make us avoid being seen (at least in undesirable aspects), while love would require us to lay bare our weakness of not understanding the other. As a result of this, shame and love play out in how we relate to (personal) experience. Arguably, shame blocks resorting to (personal) experience, while love as an approach to what constitutes borders between ourselves and others requires resorting to experience.
Expressing thoughts and experience. – If the forgoing makes some sense, we might say that shame and love inspire different attitudes in philosophical conversation: shame makes us shun (expressing thoughts by) personal experience, while love requires us to explore experience. Going from shame and love as two guiding emotions, then, we can easily discern two styles of reading and writing. Driven by shame, we find ourselves in a culture that often shuns resorting to experience and relies on techniques that correct for supposedly subjective factors. It is no surprise, then, that philosophers often highlight skills of so-called “critical thinking” as an asset of the discipline. More often than not these skills boil down to learning labels of fallacies that we can tag on texts. Looking at my student days, I often found myself indulging in technicalities to shun the fear of being seen for what I was: someone understanding very little. That said, such skills can be developed into a real art of analysis. Paired with patience, the careful study of arguments can yield great results. Then, it is no longer merely a way of avoiding shame but itself a set of tools for understanding. – Conversely, inspired by what I introduced as love, experience is crucial for understanding what sets us apart from others and the rest of the world. As I said earlier, this approach requires taking into account facors such as personalities, context and history. Crucially, such an approach cannot rely on the skillset of the writer or reader alone. It requires a dialogical readiness that might always undermine one’s own steps of understanding by what remains different. Perhaps it is not surprising that this approach is found mostly in areas that have traditionally enjoyed less acclaim, such as certain approaches in history, standpoint theory or experimental philosophy. – However, while it is important to tell such driving forces and styles apart, they are hardly ever distinct. As I said in an earlier post, if you open any of the so-called classics, you’ll find representations of both forms. Descartes’ Meditations offer you meditative exercises that you can try at home alongside a battery of arguments engaging with rival theories. Wittgenstein’s Tractatus closes with the mystical and the advice to shut up about the things that matter most after opening with a rather technical account of how language relates to the world. Yet, while both kinds are present in many philosophical works, it’s mostly the second kind that gets recognition in professional academic philosophy If this is correct, this means that experience doesn’t figure much in our considerations of reading and writing.
Can we teach failure? – Trying to pin down what characterises this sort of love as an approach in reading and writing, it ultimately seems to be a process of failure. Trying to understand others fails in that success is simply unthinkable. There is no exhaustive understanding of the other, a text, a person, a thing, whatever. Love, in this or perhaps in any sense, has nothing to do with success, but everything with dialogical trying and undermining. Of course, this can be taught. But it has no place in learning outcomes. As teachers of reading and writing, though, it might be helpful to point out that “analysing”, “reconstructing”, “discussing”, “contextualising”, “arguing” and such like are not success verbs. Showing how we fail in these attempts might go a long way in understanding and overcoming shame.
Being an amateur musician, I often indulge in watching music education videos on youtube, especially by Adam Neely, Rick Beato and Aimee Nolte. I’m struck not only by their great didactical resourcefulness, but also by how much many of their attempts carry over to philosophy. In other words, if you want to teach or learn something about philosophy, you might straightforwardly benefit from watching these and other videos. Why is this the case? On the one hand, I think there is the simple fact that these instructors do a great job of contextualisng their ideas from a number of perspectives. A recent video essay by Adam Neely on “the most elegant key change in all of pop music” is a case in point and worth watching till the very end. (This will also reveal where the quotation in the title is from.) On the other hand, I think there might be a deeper reason: As I see it, there is a kinship between philosophy and music (and perhaps other arts) that is often neglected for the simple reason that philosophy is more often taught in tandem with logic rather than with rhetoric. In what follows, I’d just briefly like to suggest how to begin thinking about this tenuous relation.
I don’t know about you, but I was drawn to philosophy and related literature way before I understood a thing. Part of me still thinks that I even was (and am) drawn to it because there is much I don’t understand. There is the promise of something meaningful, and you cannot get it or at least not all of it. So much thinking basically leaves me confused. (At the same time there can be an emotional precision that my thinking can’t catch up with.) Even if my ways and approaches to philosophy have become more refined over the years, I still think that is how philosophical thoughts feel to me: often confused, infinitely richer than my understanding will reach.
Music strikes me as a very similar kind of art. There is so much meaning but I understand so little of it. But unlike in philosophy, in music it’s totally fine if you don’t understand the more technical aspects. You can listen to a song and enjoy it – and that’s just fine. In philosophy, that seems different: if you don’t understand what’s going on that’s taken as a shortcoming. Doing philosophy, it seems, is often construed as successful understanding or thinking. Otherwise it seems to be some kind of mysticism. Right now, I don’t want to argue for a particular view on this matter. But I want to stress that not understanding or unsuccessful thinking is what attracts me in philosophy. Just like I can enjoy a very complex piece of music without understanding the details of it, I can equally enjoy thinking or reading without understanding it. Even if I want to understand (both music and philosophy), the desire and enjoyment is there before I understand. Perhaps even partly because I don’t understand. In this sense, I think that thoughts have an emotional dimension, just like music has an emotional dimension. What’s more, we’re engaging in the practice of philosophy or music or indeed any practice well before we master it. Arguably, such engagement is carried by the emotional and more tacit un-analysed features of our being. (Victor Wooten makes this case beautifully for music and language learning.)
For me, then, understanding thoughts does not only involve understanding the content or structure, but also the emotional and phenomenal qualities of thinking. You think that thoughts and emotions are separate? Well, think again! Most thoughts are expressed in language. Already the way they are expressed (whatever their content) has emotional features. The language can be dry or enthusiastic, complex or simple, feel like withholding something etc. If thoughts are verbally expressed, you get the whole register of tone of voice etc. If you see or imagine the speaker, you get their facial expressions etc. These features are not merely subjective but mostly culturally coded. If you take into account the vast history of traditions of thought, you begin to see quickly that the current way of doing philosophy in Western philosophy departments is far from the only way of doing and expressing the feel of it. As I see it, such features matter for the identity of thought. And while they might draw you in or repel you, they can also become the object of study. Yes, it’s worthwhile not just to study Kant’s ideas but the sound and rhythm of his prose. People often say they find him difficult. But the reasons behind these difficulties might owe less to his ideas and perhaps more to the emotional and phenomenal properties of his prose. In other words, the rhetorical features might weigh no less than the logical features. But for some strange reason rhetoric is largely neglected in our current practice of philosophy. Thinking about music (or other arts) and the way thoughts feel might go a long way in re-establishing such insights.
This is the fourth installment of my still fairly new series Philosophical Chats. In this episode, I have a conversation with Andrea Sangiacomo who is an associate professor of philosophy at Groningen University. In this conversation, we focus on meditation both as part of philosophical traditions as well as an approach that might be a resourceful factor impacting (academic) philosophy, teaching and academic culture. While Cartesian and Buddhist ideas* form a continuous resource in the background of our discussion, here is a list of themes in case you look for something specific:
Meditation and Descartes’ Meditations 2:20
The notion of experience – and objections against experience as a basis in philosophy 9:00
Meditation in teaching 21:14
Why aren’t we already using these insights in education? 37:00
How can we teach and learn effectively? 44:36
How can we guide and assess? 52:50
Where is this approach leading, also in terms of academic culture? 1:03:00
* The opening quotation is from Andrea’s blogpost What can we learn today from Descartes’ Meditations? Here is the passage: “Since last year, I appreciated the text of the Mediations as real meditation, namely, as a way of practicing a meditative kind of philosophy (for lack of better term), a philosophy more concerned with what it means to experience reality in this way or that way, rather than with what a certain set of propositions means.”
This is the third installment of my still fairly new series Philosophical Chats. In this episode, I have a conversation with Jef Delvaux who is in the third year of his PhD programme in Philosophy at York University in Toronto. Although we had a number of themes lined up, we ended up focusing on what is called Attention Deficit Hyperactivity Disorder (ADHD), which despite an increasing attention to mental health in academia still seems to be flying somewhat under the radar. Jef addresses this issue not as a specialist, but from the perspective of someone affected by it. The aim is to provide an understanding of the condition and how it can be addressed (and perhaps ameliorated) in academic settings. One thing we discuss in particular is the difficulty of deliberating and making decisions. It’s a long conversation. So if you feel like skipping bits or want to focus on a specific topic, here is a rough overview:
Mental health and ADHD 2:00
Belittling ADHD 4:00
What is it like to live with ADHD? 7:20
Teaching students with ADHD: buddy systems* and autonomy 12:20
Decision paralysis with and without ADHD: what is the difference? 22:15
ADHD during the pandemic 1:02
“What if I could talk to my undergraduate self?” 1:08
Are all human beings equal? – Of course, that’s why we call them human. – But how do we know? – Well, it’s not a matter of empirical discovery, it’s our premise. – I see. And so everything else follows?
The opposition between empiricism and rationalism is often introduced as an epistemological dispute, concerning primarily the ways knowledge is acquired, warranted and limited. This is what I learned as a student and what is still taught today. If you’ve studied philosophy for a bit, you will also have heard that this opposition is problematic and coarse-grained when taken as a historical category. But in my view the problem is not that this opposition is too coarse-grained (all categories of that kind are). Rather, the problem lies with introducing it as a mere epistemological dispute. As I see it,* the opposition casts a much wider conceptual net and is rooted in metaphysical and even political ideas. Thus, the opposition is to be seen in relation to a set of disagreements in both theoretical and practical philosophy. In what follows, I don’t want to present a historical or conceptual account, but merely suggest means of recognising this wide-ranging set of ideas and show how the distinction helps us seeing the metaphysical implications and political choices related to our epistemological leanings.
Let me begin with a simple question: Do you think there is, ultimately, only one true description of the world? If your answer is ‘yes’, I’d be inclined to think that you are likely to have rationalist commitments. Why? Well, because an empiricist would likely reject that assumption for the reason that we might not be able to assess whether we lack important knowledge. Thus, we might miss out on crucial insights required to answer that question in the first place. This epistemological caution bears on metaphysical questions: Might the world be a highly contingent place, subject to sudden or constant change? If this is affirmed, it might not make sense to say that there is one true description of the world. How does this play out in political or moral terms? Rephrasing the disagreement a bit, we might say that rationalists are committed to the idea that the world is ordered in a certain way, while empiricists will remain open as to whether such an order is available to us at all. Once we see explanatory order in relation to world order, it becomes clear that certain commitments might follow for what we are and, thus, for what is good for us. If you believe that we can attain the one true description of the world, you might also entertain the idea that this standard should inform our sciences and our conduct at large. – Of course, this is quite a caricature of what I have in mind. All I want to suggest is that it might be rewarding to look whether certain epistemological leanings go hand in hand with metaphysical and practical commitments. So let’s zoom in on the different levels in a bit more detail.
(1) Epistemology: As I have already noted, the opposition is commonly introduced as concerning the origin, justification and limits of knowledge. Are certain ideas or principles innate or acquired through the senses? Where do we have to look in order to justify our assumptions? Can we know everything there is to be known, at least in principle, or are there realms that we cannot even sensibly hope to enter? – If we focus on the question of origin, we can already see how the opposition between empiricism and rationalism affects the pervasive nature-nurture debates: Are certain concepts and the related abilities owing to learning within a certain (social) environment or are the crucial elements given to us from the get-go? Now, let’s assume you’re a rationalist and think that our conceptual activity is mostly determined from the outset. Doesn’t it follow from this that you also assume that we are equal in our conceptual capacities? And doesn’t it also follow that rules of reasoning and standards of rationality are the same for all (rather than owing, say, to cultural contexts)? – While the answers are never straightforward, I would assume at least certain leanings into one direction or another. But while such leanings might already inform political choices, it is equally important to see how they relate to other areas of philosophy.
(2) Metaphysics: If you are an empiricist and assume that the main sources of our knowledge are our (limited) senses, this often goes and in hand with epistemic humility and the idea that we cannot explain everything. Pressed why you think so, you might find yourself inclined to say that the limits of our knowledge have a metaphysical footing. After all, if we cannot say whether an event is fully explicable, might this not be due to the fact that the world is contingent? Couldn’t everything have been otherwise, for instance because God interferes in events here and there? In other words, if you don’t assume there to be a sufficient reason for everything, this might be because you accept brute facts. Accordingly, the world is a chancy place and what our sciences track might be good enough to get by, but never provide the certainty that is promised by our understanding of natural laws. Depending on the historical period, such assumptions often go hand in hand with more or less explicit forms of essentialism. The lawful necessities in nature might be taken to relate to the way things are. Now essences are not only taken to determine what things are, but also how they ought to be. – Once you enter the territory of essentialism, then, it is only a small step to leanings regarding norms of being (together), of rationality, and of goodness.
(3) Theology / Sources of Normativity: If you allow for an essentialist determination of how things are and ought to be, this immediately raises the question of the sources of such essences and norms. Traditionally, we often find this question addressed in the opposition between theological intellectualism (or rationalism) and voluntarism: Intellectualists assume that norms of being and acting are prior to what God wills. So even God is bound by an order prior to his will. God acts out of reasons that are at least partly determined by the way natural things and processes are set up. By contrast, voluntarists assume that something is rational or right because God wills it, not vice versa. It is clear how this opposition rhymes with that of rationalism and empiricism: The rationalist assumes one order that even binds God. The empiricist remains epistemically humble, because she believes that rationality is fallible. Perhaps she believes this because she assumes that the world is a chancy place, which in turn might be owing to the idea that the omnipotent God can intervene anytime. It is equally clear how this opposition might translate into (lacking) justifications of moral norms or political power. – Unlike often assumed in the wake of Blumenberg and others, this doesn’t mean that voluntarism or empiricism straightforwardly translate into political absolutism. It is hardly ever a particular political idea that is endorsed as a result of empiricist or rationalist leanings. Nevertheless, we will likely find elements that play out in the justification of different systems.**
Summing up, we can see that certain ideas in epistemology go hand in hand with certain metaphysical as well as moral and political assumptions. The point is not to argue for systematically interwoven sets of doctrines, but to show that the opposition of empiricism and rationalism is so much more than just a disagreement about whether our minds are “blank slates”. Our piecemeal approach to philosophical domains might have its upsides, but it blurs our vision when it comes to the tight connections between theoretical and practical questions which clearly were more obvious to our historical predecessors. Seen this way, you might try and see whether you’ll find pertinently coherent assumptions in historical or current authors or in yourself. I’m not saying you’re inconsistent if you diverge from a certain set of assumptions. But it might be worth asking if and why you conform or diverge.
* A number of ideas alluded to here would never have seen the light of day without numerous conversations with Laura Georgescu.
“… solipsism strictly carried out coincides with pure realism. The I in solipsism shrinks to an extensionless point and there remains the reality co-ordinated with it.” Wittgenstein, TLP 5.64
When was the last time you felt really and wholly understood? If this question is meaningful, then there are such moments. I’d say, it does happen, but very rarely. If things move in a good direction, there is an overlap or some contiguity or a fruitful friction in your conversation. Much of the time, though, I feel misunderstood or I feel that I have misunderstood others. – Starting from such doubts, you could take this view to its extremes and argue that only you understand yourself or, more extreme still, that there is nothing external to your own mind. But I have to admit that I find these extreme brands of solipsism, as often discussed in philosophy, rather boring. They are highly implausible and don’t capture what I think is a crucial idea in solipsism. What I find crucial is the idea that each of us is fundamentally alone. However, it’s important to understand in what sense we are alone. As I see it, I am not alone in the sense that only I know myself or only my mind exists. Rather, I am alone insofar as I am different from others. Solitude, then, is not merely a feeling but also a fact about the way we are.* In what follows, I’d like to suggest reasons for embracing this view and how its acknowledgement might actually make us more social.
Throwing the baby out with the bathwater. – In 20th-century philosophy, solipsism has often had a bad name. Solipsism was and is mostly construed as the view that subjective experience is foundational. So you might think that you can only be sure about what’s going on in your own mind. If you hold that view, people will ridicule you as running into a self-defeating position, because subjective states afford no criteria to distinguish between what seems and what is right. Rejecting subjective experience as a foundation for knowledge or theories of linguistic meaning, many people seemed to think it was a bad idea altogether. This led to an expulsion of experience from many fields in philosophy. Yes, it does seem misguided to build knowledge or meaning on subjective experience. But that doesn’t stop experience from playing an important part in our (mental) lives. Let me illustrate this issue a bit more so as to show where I see the problem. Take the word “station”. For the (public) meaning of this word, it doesn’t matter what your personal associations are. You might think of steam trains or find the sound of the word a bit harsh, but arguably nothing of this matters for understanding what the word means. And indeed, it would seem a bit much if my association of steam trains would be a necessary ingredient for mastering the concept or using it in communication. This is a bit like saying: If we want to use the word “station” to arrange a meeting point, it doesn’t matter whether you walk to the station through the village or take the shortcut across the field. And yes, it doesn’t matter for the meaning or success of our use of the word whether you cut across the field. But hang on! While it doesn’t matter for understanding the use of the word, it does matter for understanding my interlocutor. Thinking of steam trains is different from not thinking of them. Cutting across the field is different from walking through the village. This is a clear way in which the experience of interlocutors matters. Why? Well, because it is different. As speakers, we have a shared understanding of the word “station”; as interlocutors we have different experiences and associations we connect with that word. As I see it, it’s fine to say that experience doesn’t figure in the (public) meaning. But it is problematic to deny that the difference in experience matters.
A typical objection to this point is that private or subjective experience cannot be constitutive for meaning. But this goes only so far. As interlocutors, we are not only interested in understanding the language that someone uses, but also the interlocutor who is using it. This is not an easy task. For understanding language is rooted in grasping sameness across different contexts, while understanding my interlocutor is rooted in acknowledging difference (in using the same words). This is not a point about emphatic privacy or the idea that our experience were to constitute meaning (it doesn’t). It’s a point about how differences can play out in practical interaction. To return to the earlier example “Let’s go to the station” can mean very different things, if one of you wants to go jointly but it turns out you have different routes in mind. So understanding the interlocutor involves not only a parsing of the sentence, but an acknowledgement of the differences in association. It requires acknowledging that we relate different experiences or expectations to this speech act. So while we have a shared understanding of language, we often lack agreement in associations. It is this lack of agreement that can make me vastly different from others. Accordingly, what matters in my understanding of solipsism is not that we have no public language (we do), but that we are alone (to some degree) with our associations and experiences.
Arguably, these differences matter greatly in understanding or misunderstanding others. Let me give an example: Since I started blogging, I can see how often people pick one or two ideas and run. Social media allow you to test this easily. Express an opinion and try to predict whether you’ll find yourself in agreement with at least a fair amount of people. Some of my predictions failed really miserably. But even if predictions are fulfilled, most communication situations lack a certain depth of understanding. Why is this the case? A common response (especially amongst analytically inclined philosophers) is that our communication lacks clarity. If this were true, we should improve our ways of communicating. But if I am right, this doesn’t help. What would help is acknowledging the differences in experience. Accordingly, my kind of solipsism is not saying: Only I know myself. Or: Only my mind exists. Rather it says: I am different (from others).
This “differential solipsism” is clearly related to perspectivism and even standpoint theory. However, in emerging from the acknowledgement of solitude, it has a decidedly existential dimension. If a bit of speculation is in order, I would even say that the tendency to shun solipsism might be rooted in the desire to escape from solitude by denying it. It’s one thing to acknowledge solitude (rooted in difference); it’s another thing to accept the solitary aspects of our (mental) lives. Let’s look more closely how these aspects play out.
Even if philosophers think that experience doesn’t figure in the foundations of knowledge and meaning, it figures greatly in many of our interactions.** We might both claim to like jazz, but if we go to a concert, it might be a disappointment when it turns out that we like it for very different reasons. So you might like the improvisations, while I don’t really care about this aspect, but am keen on the typical sound of a jazz combo. If the concert turns out to feature one but not the other aspect, our differences will result in disagreement. Likewise, we might disagree about our way to the station, about the ways of eating dinner etc. Now as I see it, the solitude or differences we experience in such moments doesn’t sting because of the differences themselves. What makes such moments painful is rather when we endure and paste over these differences without acknowledging them.
If I am right, then I don’t feel misunderstood because you don’t happen to care about the sound of the combo. I feel misunderstood, because the difference remains unacknowledged. Such a situation can typically spiral into a silly kind of argument about “what really matters”: the sound or the improvisation. But this is just silly: what matters for our mutual understanding is the difference, not one of the two perspectives. In a nutshell: True understanding does not lie in agreement, but in the detailed acknowledgement of disagreement.***
But why, you might ask, should this be right? Why would zooming in on differences in association or experience really amend the situation? The reason might be given in Wittgenstein’s claim that solipsism ultimately coincides with realism. How so? Well, acknowledging the different perspectives should hopefully end the struggle over the question which of the perspectives is more legitimate. Can we decide on the right way to the station? Or on the most salient aspect in a jazz concert? No. What we can do is articulate all the perspectives, acknowledging the reality that each view brings to the fore. (If you like, you can imagine all the people in the world articulating their different experiences, thereby bringing out “everything that is the case.”)
Writing this, I am reminded of a claim Evelina Miteva made in a conversation about writing literature: The more personal the description of events is, the more universal it might turn out to be. While this sounds paradoxical, the realism of differential solipsism makes palpable why this is true. The clear articulation of a unique experience does not block understanding. Quite the contrary: It allows for localising it in opposition to different experiences of the same phenomenon. In all these cases, we might experience solitude through difference, but we will not feel lonely for being invisible.
* Of course, the title “Solitude standing” is also a nod to the great tune by Suzanne Vega:
*** And once again, I am reminded of Eric Schliesser’s discussion of Liam Brights’s post on subjectivism, hitting the nail on the following head: “Liam’s post (which echoes the loveliest parts of Carnap’s program with a surprisingly Husserlian/Levinasian sensibility) opens the door to a much more humanistic understanding of philosophy. The very point of the enterprise would be to facilitate mutual understanding. From the philosophical analyst’s perspective the point of analysis or conceptual engineering, then, is not getting the concepts right (or to design them for ameliorative and feasible political programs), but to find ways to understand, or enter into, one’s interlocutor life world.”
This is the first installment of my new series Philosophical Chats. In this episode, I have a conversation (for about 40 minutes) with my old friend Kai Ivo Baulitz, an actor and playwright, who is currently in Prague for a film shooting, but has to quarantine most of the time.* – We talk about how the crisis changed our minds and ways, about Kai’s situation in Prague, about being under surveillance, about anger and guilt, about acting and kissing, about how doing philosophy is like having a midlife crisis, about embracing fatalism, and about how we end up feeling inconsistent much of the time. Enjoy!
* Fun fact: This year, Kai and I would have celebrated our 30th school leaving anniversary (Abiturfeier), but corona took care of preventing that. Perhaps this conversation makes up for that a bit.
Those who know us from our school days might find it particularly ironic that Kai is currently stuck in Prague.
I recognize that I could only start to write about this … once I related to it. I dislike myself for this; my scholarly pride likes to think I can write about the unrelatable, too.Eric Schliesser
Philosophy students often receive the advice that they should focus on topics that they have a passion for. So if you have fallen for Sartre, ancient scepticism or theories of justice, the general advice is to go for one of those. On the face of it, this seems quite reasonable. A strong motivation might predict good results which, in turn, might motivate you further. However, I think that you might actually learn more by exposing yourself to material, topics and questions that you initially find remote, unwieldy or even boring. In what follows, I’d like to counter the common idea that you should follow your passions and interests, and try to explain why it might help to study things that feel remote.
Let me begin by admitting that this approach is partly motivated by my own experience as a student. I loved and still love to read Nietzsche, especially his aphorisms in The Gay Science. There is something about his prose that just clicks. Yet, I was always sure that I couldn’t write anything interesting about his work. Instead, I began to study Wittgenstein’s Tractatus and works from the Vienna Circle. During my first year, most of these writings didn’t make sense to me: I didn’t see why they found what they said significant; most of the terminology and writing style was unfamiliar. In my second year, I made things worse by diving into medieval philosophy, especially Ockham’s Summa Logicae and Quodlibeta. Again, not because I loved these works. In fact, I found them unwieldy and sometimes outright boring. So why would I expose myself to these things? Already at the time, I felt that I was actually learning something: I began to understand concerns that were alien to me; I learned new terminology; I learned to read Latin. Moreover, I needed to use tools, secondary literature and dictionaries. And for Ockham’s technical terms, there often were no translations. So I learned moving around in the dark. There was no passion for the topics or texts. But speaking with hindsight (and ignoring a lot of frustration along the way), I think I discovered techniques and ultimately even a passion for learning, for familiarising myself with stuff that didn’t resonate with me in the least. (In a way, it seemed to turn out that it’s a lot easier to say interesting things about boring texts than to say even boring things about interesting texts.)
Looking back at these early years of study, I’d now say that I discovered a certain form of scholarly explanation. While reading works I liked was based on a largely unquestioned understanding, reading these unwieldy new texts required me to explain them to myself. This in turn, prompted two things: To explain these texts (to myself), I needed to learn about the new terminology etc. Additionally, I began to learn something new about myself. Discovering that certain things felt unfamiliar to me, while others seemed familiar meant that I belonged to one kind of tradition rather than another. Make no mistake: Although I read Nietzsche with an unquestioned familiarity, this doesn’t mean that I could have explained, say, his aphorisms any better than the strange lines of Wittgenstein’s Tractatus. The fact that I thought I understood Nietzsche didn’t give me any scholarly insights about his work. So on top of my newly discovered form of explanation I also found myself in a new relation to myself or to my preferences. I began to learn that it was one thing to like Nietzsche and quite another to explain Nietzsche’s work, and still another to explain one’s own liking (perhaps as being part of a tradition).
So my point about not studying what you like is a point about learning, learning to get oneself into a certain mode of reading. Put more fancily: learning to do a certain way of (history of) philosophy. Being passionate about some work or way of thinking is something that is in need of explanation, just as much as not being passionate and feeling unfamiliar about something needs explaining. Such explanations are greatly aided by alienation. As I said in an earlier post, a crucial effect of alienation is a shift of focus. You can concentrate on things that normally escape your attention: the logical or conceptual structures for instance, ambiguities, things that seemed clear get blurred and vice versa. In this sense, logical formalisation or translation are great tools of alienation that help you to raise questions, and generally take an explanatory stance, even to your most cherished texts.
As a student, discovering this mode of scholarly explanation instilled pride, a pride that can be hurt when explanations fail or evade us. It was remembering this kind of pain, described in the motto of this post, that prompted these musings. There is a lot to be said for aloof scholarship and the pride that comes with it, but sometimes it just doesn’t add up. Because there are some texts that require a more passionate or intuitive relation before we can attain a scholarly stance towards them. If the passion can’t be found, it might have to be sought. Just like our ears have to be trained before we can appreciate some forms of, say, very modern music “intuitively”.
When writing papers, students and advanced philosophers alike are often expected to take a position within a debate and to argue for or against a particular claim. But what if we merely wish to explore positions and look for hidden assumptions, rather than defend a claim? Let’s say you look at a debate and then identify an unaddressed but nevertheless important issue, a commitment left implicit in the debate, let’s call it ‘X’. Writing up your findings, the paper might take the shape of a description of that debate plus an identification of the implicit X. But the typical feedback to such an exploration can be discouraging: It’s often pointed out that the thesis could have been more substantive and that a paper written this way is not publishable unless supplemented with an argument for or against X. Such comments all boil down to the same problem: You should have taken a position within the debate you were describing, but you have failed to do so.
But hang on! We’re all learning together, right? So why is it not ok to have one paper do the work of describing and analysing a debate, highlighting, for instance, some unaddressed X, so that another paper may attempt an answer to the questions about X and come up with a position? Why must we all do the same thing and, for instance, defend an answer on top of everything else? Discussing this issue, we* wondered what this dissatisfaction meant and how to react to it. Is it true? Should you always take a position in a debate when writing a paper? Or is there a way of giving more space to other approaches, such as identifying an unaddressed X?
One way of responding to these worries is to dissect and extend the paper model, for instance, by having students try other genres, such as commentaries, annotated translations, reviews, or structured questions. (A number of posts on this blog are devoted to this.) However, for the purposes of this post, we’d like to suggest and illustrate a different idea. We assume that the current paper model (defending a position) does not differ substantially from other genres of scholarly inquiry. Rather, the difference between, say, a commentary or the description of a debate, on the one hand, and the argument for a claim, on the other, is merely a stylistic one. Now our aim is not to present an elaborate defense of this idea, but to try out how this might help in practice.
To test and illustrate the idea (below), we have dug out some papers and rewritten sections of them. Before presenting one sample, let’s provide a brief manual. The idea rests on the, admittedly somewhat contentious, tenets that
any description or analysis can be reformulated as a claim,
the evidence provided in a description can be dressed up as an argument for the claim.
But how do you go about it? In describing a debate, you typically identify a number of positions. So what if you don’t want to adopt and argue for one of them? There is something to be said for just picking a side anyway, but if that feels too random, here is a different approach:
(a) One thing you can always do is defend a claim about the nature of the disagreement in the debate. Taken this way, the summary of your description or analysis becomes the claim about the nature of the disagreement, while the analysis of the individual positions functions as an argument / evidence for this claim. This is not a cheap trick; it’s just a pointed way of presenting your material.
(b) A second step consists in actually labelling steps as claims, arguments, evaluations etc. Using such words doesn’t change the content, but it signals even to a hasty reader where your crucial steps begin and end.
Let’s now look at a passage from the conclusion of a paper. Please abstract away from the content of discussion. We’re just interested in identifying pertinent steps. Here is the initial text:
“… Thus, I have dedicated this essay to underscoring the importance of this problem. I have first discussed two of the most prominent levels accounts, namely O&P’s layer-cake account, and Craver and Bechtel’s mechanistic levels, and shown that they both provide radically different levels accounts. I addressed the problems with each account, and it became clear that what is considered to be a problem by some, is considered to be a virtue by others. This led us to uncover a deeper disagreement, namely about what the function of a levels account is supposed to be and what the term “level” means.”
Here is the rewritten version (underlined sections indicate more severe changes or additions):
“… But why is this problem significant? I have first discussed two of the most prominent levels accounts, namely O&P’s layer-cake account, and Craver and Bechtel’s mechanistic levels, and shown that they both provide radically different levels accounts. I addressed the problems with each account, and it became clear that what is considered to be a problem by some, is considered to be a virtue by others. This is in keeping with my second-order thesis that the dispute is less about content but rather about defining criteria. However, this raises the question of what to make of levels on any set of criteria. Answering this question led me to defend my main (first-order) thesis: If we look at the different sets of criteria, we uncover a deeper disagreement, namely about what the function of a levels account is supposed to be and what the term “level” means. Accordingly, I claim that disparate accounts of levels indicate different functions of levels.“
We consider neither passage a piece of beauty. The point is merely to take some work in progress and see what happens if you follow the two steps suggested above: (a) articulate claims; (b) label items as such. – What can we learn from this small exercise? We think that the contrast between these two versions shows just how big of an impact the manner of presentation can have, not least on the perceived strength of a text. The desired effect would be that a reader can easily identify what is at stake for the author. Content-wise, both versions say the same thing. However, the first version strikes us as a bit detached and descriptive in character, whereas the second version seems more engaged and embracing a position. What used to be a text about a debate has now become a text partakingin a debate. (Of course, your impressions might differ. So we’d be interested to hear about them!) Another thing we saw confirmed in this exercise is that you always already have a position, because you end up highlighting what matters to you. Having something to say about a debate still amounts a position. Arguably, it’s also worth to be presented as such.
Where do we go from here? Once you have reformulated such a chunk and labelled some of your ideas (say, as first and second order claims etc.), you can rewrite the rest of your text accordingly. Identify these items in the introduction, and clarify which of those items you argue for in the individual sections of your paper, such that they lead up to these final paragraphs. That will probably allow you (and the reader) to highlight the rough argumentative structure of your paper. Once this is established, it will be much easier to polish individual sections.